Second rendition of 非人非魚 Interstice of the People. 

The initial stoneware is replaced by porcelain, introducing a sense of fragility and impermanence. The shift in material amplifies the sound of the clay pieces clinking against each other. My gestures no longer follow choreography but emerge from my reaction to the vibration of the form itself.

Bricks were also casted, each glazed to shimmer like relics, put together like a shrine. The post-colonial body now exist in a hybrid new and non-space. I now speak from the “third space of enunciation”, a new and radical position for the diasporic Hong Konger.